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In the small village of Cuenca, Mexico,
bull ring owner Eladio Gómez, desperate over his faltering business,
lies to the townspeople that he has secured a contract with renowned
matador Luís Bello. While Eladio wonders how to raise the
money necessary to bring Luís to the village, the matador undergoes
a crisis in confidence when he is gored while in the ring, as his
manager and best friend, Raul Fuentes, watches. Although not
seriously injured, Luís demands the rest of his national tour be
canceled and retires to his country home. There, Luís recovers
quickly, although he is plagued by nightmares and frustration at
being the sole support for his family and a multitude of servants.
Luís’ younger brother Pepe, a rising toreador, asks Luís to have
Raul get him a bullfighting contract and Luís promises to try.
Growing restless with his self-enforced
sabbatical, Luís decides to resume his tour in Mexico City.
After Luís and Raul leave in their expensive car, Pepe and his
friends start off on foot to the city to watch Luís’ fight and to
push Raul for a contract. In Mexico City, Raul notices Luís’
tension, which heightens when they learn of the fatal goring of a
star matador. Luís’ "cuadrilla," who assist and protect him in
the ring, also notice his anxiety, but overlook it and make
encouraging remarks. That evening, Luís picks a fight with
Raul, criticizing his acquaintance with the wealthy and demanding to
know how his winnings are spent. Later at a local bar, Luís
drinks heavily and is surprised when Raul and several socialites,
including the beautiful Linda de Calderon, arrive.
The next day outside the bull ring
Eladio pleads with Raul to talk Luís into fighting at Cuenca.
Raul suggests that if Pepe be allowed on the bill he might consider
it. Raul later casually mentions to Luís fighting at Cuenca,
but the matador dismisses the possibility, recalling the rough
conditions and poor class of bulls used in village rings. When
Eladio stops by, however, Luís relents, but insists that he will
only agree if the very best Santa Marca bulls are used and Pepe be
allowed to fill the lower half of the bill. Despite the
enormous personal cost to him, Eladio agrees. Luís asks Raul
about Linda and she invited to accompany them as Luís goes through
the pre-fight ceremonies. That evening, Eladio goes to Santin,
where the finest ranch of Santa Marca bulls is found, but can only
afford three animals. The owner offers to throw in Brujo, a
powerful bull he cannot sell because he has whiskers and no tail.
The following day, the national radio
broadcasts Luís’ return to the ring, which is filled to capacity.
The crowd is stunned and then angered when the great Bello responds
with fear and trepidation in the ring, sacrificing his trademark
style to remain out of range of the bull's horns. Luís is then
booed heartily when the picadors tire the bull excessively before
the kill, which he botches. The next matador rouses the crowd,
but is gored to death, which disturbs Luís further. When the
crowd jeers him upon leaving the building, Luís attacks several in
the crowd until Raul subdues him. That evening meeting with
reporters, Raul tries to downplay the fight and its aftermath, but
Luís bitterly remarks on the hardness of the public.
Later, Luís seeks solace with Linda and
recounts his poor childhood and the effect bullfighting had upon him
as a young boy. When Luís declares he owes everything to Raul,
however, Linda is skeptical. The next morning Raul finds Linda
still at Luís’ hotel and reminds her of their date. When she
informs him that she is growing serious about Luís, Raul cautions
her to leave the bullfighter alone and Linda accuses the manager of
being a manipulator. Raul firmly tells Linda that she will
always belong to him.
A couple of days later in Guadalajara,
Pepe approaches a moody Luís before the next fight with the news
that Raul was killed in an auto accident on the way to meet them.
When Pepe admits that Linda was with Raul and also killed, Luís
flees, ending up in a small cantina where he goes on a wild, drunken
binge. Pepe fields inquiries from reporters curious about why
Luís missed his fight, and assures Eladio over the phone that Luís
will make the Cuenca contest scheduled for the coming weekend.
After a couple of days, Pepe and the "cuadrilla"
finally locate Luís and prepare him for the fight in Cuenca.
Luís, Pepe and the men arrive in the village to great acclaim and
celebration, but the boisterous night-long activities make it
difficult for Luís to relax. The next day, during the first
round of the one-on-one contest with Pepe, Luís is nervous and
fearful, and when knocked down by the bull, retreats in panic behind
the wooden barrier as the crowd hoots their derision. Luís
eventually kills the bull through constant jeers. Pepe then
takes the ring and stirs the fans with his flair, but when he is
gored in the thigh before the kill, the crowd boos when Lúis returns
to make Pepe's kill. Learning that Pepe is only mildly
injured, Luís then faces Brujo and abruptly realizes that if he
allows himself to continue to be dominated by his fears, he is
throwing away his life. He salutes Brujo and gradually
displays the style and bravado that made his reputation.
Although grazed and tossed by Brujo, Luís makes a clean kill, and he
and Pepe hobble from the ring to the crowd's roaring approval
Notes
An April 1950 HR news item and HR
production charts indicate that Robert Parrish was in Mexico during
production of The Brave Bulls, assisting in early editing,
although Henry Batista and Donald Starling receive onscreen credit
as the film's editors. Columbia borrowed Mel Ferrer from
Howard Hughes's company for the production. Eight members of
the cast were actual banderilleros and picadores and were credited
onscreen as Members of the Association de Banderilleros y Picadores,
Mexico D.F. As noted in the onscreen credits, the film was
shot on location in and around Mexico City, including the famous
bullfighting ring, The Plaza, and San Miguel de Allende, Mexico.
The Brave Bulls marked the American film debut of Czech-born
actress
Miroslava Stern, who was billed as Miroslava throughout her
successful film career in Mexico.