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Constance Cummings

 

 

BROADWAY THRU A KEYHOLE

 

United Artists, 1933.  Directed by Lowell Sherman.  Camera:  Barney McGill.  With Constance Cummings, Paul Kelly, Russ Columbo, Blossom Seeley, Gregory Ratoff, Texas Guinan, Hobart Cavanaugh, Eddie Foy, Jr., Lucille Ball.

Frank Rocci, a familiar but feared patron of Broadway establishments, is the president of a protection racket that demands one dollar per coop from poultry companies for assurance that "accidents" do not occur.  When a childhood neighbor from the Bronx, Esther Whelan, visits and tells him that her mother has died and her sister Joan needs a job, Rocci arranges with Tex Kaley, owner and hostess of the Klub Kaley, and the perfectionist (but easily intimidated) impresario Max Mefoofski to put Joan in the chorus.

After Rocci gives Joan the eye during her first number, he invites her to his apartment but, when she speaks innocently of their childhood and says she feels she can trust him, Rocci curbs his salacious inclinations and takes her home.  Rocci then buys the club and demands that Max star Joan in his new revue.  After Walter Winchell's column links Joan and Rocci, Esther, greatly upset, confronts her sister, but she stands up for Rocci.

Joan is a success, and Rocci sets her up in a Park Avenue apartment.  As he talks about marriage and implies that he will ask her once he is able to get out of the racket, gunshots from a rival shatter the window and mirror.  For her protection, Rocci sends Joan to Miami with Sybil Smith, the girlfriend of Rocci's lieutenant, Chuck Haskins.  At a dinner show, radio crooner and bandleader Clark Brian invites Joan to sing with him.  Although Joan discovers that Clark is a chronic hypochondriac and he admits he is a coward, during the next couple of weeks they grow fond of each other.

After the funeral of the rival responsible for the gunshots in Joan's apartment, Rocci reconciles with his main rival, Tim Crowley.  When Rocci calls Joan to tell her she can return, she says she wants to stay a little longer.  Just then, a telegram arrives from one of Rocci's pals in Miami, stating that he saw Joan with Clark.  Rocci immediately orders Joan to take the next plane.  When she returns to New York, Rocci asks Joan about Clark; however, because she is afraid to hurt Rocci, she says that Clark means nothing to her.

Clark follows and visits Joan at the club. She warns him about Rocci but, when he says that he will not be afraid if she loves him, she acknowledges her love.  Rocci confronts Clark, who says that he wants to marry Joan and that he is willing to die for her if necessary.  After some hesitation, Rocci tells him to be good to her and leaves.  When Joan is hijacked after the wedding, a battered Clark accuses Rocci.  Crowley, who engineered the kidnapping, tells Rocci that he had Joan taken to a hotel room to please him.  Rocci then goes there, and Crowley tips off the police, who shoot Rocci in the corridor.  At the hospital, Rocci gives his blessing to Joan and Clark.  Comforted by Winchell's column, which exonerates him with regard to Joan's kidnapping, and by the news that Crowley has been shot, Rocci wistfully looks out over the lights of Broadway.

American Film Institute Catalog