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Maria Schell  

 

CIMARRON

MGM, 1960.  Directed by Anthony Mann.  Camera:  Robert L. Surtees.  With Glenn Ford, Maria Schell, Anne Baxter, Arthur O'Connell, Russ Tamblyn, Mercedes McCambridge, Vic Morrow, Robert Keith, Charles McGraw, Harry Morgan, David Opatoshu, Aline McMahon, Lili Darvas, Edgar Buchanan, Mary Wickes, Royal Dano, L.Q. Jones, George Brenlin, Vladimir Sokoloff, Ivan Triesault, Buzz Martin, John Cason, Dawn Little Sky, Eddie Little Sky, Clegg Hoyt, William Challee, Helen Westcott, Mickey Chouteau, Andy Albin, Janet Brandt, John Pickard, Ted Eccles, Irene James, James Halferty, J. Edward McKinley, Robert Carson, Barry Bernard, Jorie Wyler, Ralph Reed, Jimmy Lewis, Charles Watts, Rayford Barnes, Paul Bryar, Jack Daly, Coleman Francis, Jack Scroggy, Richard Davies, Charles F. Seel, Mary Benoit, Tony Merrill, Bill Remick, Ben Gary, Wilson Wood, Phyllis Douglas, Jeane Wood, La Rue Farlow, John Daimler, Fred Coby, Robert B. Williams.

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Sabra Cravat's wealthy Kansas City parents try to dissuade her from participating in a land run in the Oklahoma territory with her new husband Yancey, but she is adamant.  During the journey, Sabra's knowledge of her husband's character deepens, and when he lends one of his covered wagons to Tom and Sarah Wyatt and their large, destitute family, she experiences his generosity.

Upon arriving in Oklahoma and meeting many of Yancey's friends, including a lady of the evening named Dixie Lee, she discovers that he is something of an adventurer.  Sabra has her first disagreement with Yancey, however, when he staunchly defends an American Indian family whose wagon has been overturned by a group of angry men.  Even though a Cavalry officer states that Ben and Arita Red Feather have the right to participate in the land run, Sabra, a French American, wonders aloud whether Yancey should have risked injury just to help some Indians.

At high noon on April 22, 1889, thousands of settlers, who hope to claim one hundred and sixty acres of free land, race wildly on horseback, wagon, bicycle and stagecoach across the prairie.  Tom is pushed off the stagecoach, whereupon a frantic Sarah plants a stake into the arid dirt near the starting line.  Sam Pegler, an idealistic newspaper owner from Osage, is killed during the run, and Ben is lassoed to the ground by a bigoted roughneck named Bob Yountis.

After Dixie, angry at Yancey for having married another woman, vengefully claims the land that Yancey had wanted, he decides to forget about ranching and take over Sam's newspaper.  The printer, Jesse Rickey, remains in Osage with the paper, the Oklahoma Wigwam, while Sam's widow Mavis sadly returns home.

Some time later, Yountis and William Hardy, a young troublemaker known as "The Kid," terrorize a Jewish peddler named Sol Levy.  Yancey rescues Sol, but The Kid, whose father had been Yancey's friend, refuses to listen to the older man's advice and rides away with his rowdy companions.  One night Yountis, leading a band of Indian-hating townspeople, lynches Ben and destroys his home.  Outraged, Yancey shoots Yountis and then brings Arita and her baby to the Cravat house.

When the three arrive home, they discover that Sabra has given birth to a baby boy, whom they name Cimarron.  Several years pass, and The Kid, now a feared outlaw, reluctantly joins his cohorts in robbing the Osage bank.  Cornered, the robbers take refuge in the schoolhouse, but when his buddy, Wes Jennings tries to make a child their hostage, The Kid intervenes and is shot.  Yancey shoots Wes, thereby earning a large reward, but when he remorsefully tears up the checks, Sabra accuses him of cheating Cim out of his future.  Dixie confesses that she still loves Yancey, and when he gently rejects her, she sells her farm and opens a "social club."

   

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Meanwhile, Arita's little daughter Ruby is ejected from the schoolhouse.  Yancey files a protest, but the townspeople refuse to allow an Indian to attend school.  Yancey charges that they are keeping their children's blood pure, but their heads empty.  Soon afterward, Yancey leaves town to participate in another land rush, to the bitter disappointment of his wife.

During his five-year absence, Sabra obtains a loan from Sol, who has fallen in love with her.  Sabra learns from Dixie that Yancey, who spent several years in Alaska, is now a Rough Rider in Cuba.  Dixie also confesses that it is Sabra, not her, whom Yancey loves.  That year, Yancey returns, promising to make amends for his absence.  Sabra and Cim accept him, and the years pass.

One day Yancey excitedly reports that oil has been discovered on the Indian reservation.  Tom, whose own oil-rich land has made him wealthy, laughs and says that it is he, not the Indians, who owns the oil rights.  Yancey writes in his paper that Tom swindled the Indians, and the story is reported all over the country.  Sabra, meanwhile, worries that Cim is becoming serious about Ruby, whom she considers unfit for her son, but when Yancey tells her that he has been nominated for governor of the territory, she beams.

In Washington, Sabra ecstatically dresses for a party, but Yancey learns that Tom and his powerful friends will name him governor only if he agrees to cooperate with them.  Yancey rejects the post, whereupon Sabra orders him to leave her.  Later, Sol, now a successful merchant, lends Sabra a large sum, and she builds the paper into a major enterprise.  When Cim informs her that he has married Ruby and is on his way to Oregon, Sabra bitterly complains that he is throwing his life away and then dismisses him from the house.

Ten years later, in 1914, Sabra sits at a desk composing an editorial for the newspaper's twenty-fifth anniversary.  Sol and Tom want her to be the model for a sculpture exemplifying the pioneer spirit, but Sabra protests that the man who ran away from her was the true pioneer.  At a surprise anniversary party, Sabra is reunited with her son and his family.  She pays tribute to her husband, claiming that she still hopes for his return, but that day, war is declared.  In December, Sabra rereads the letter she has received from Yancey, in which he again apologizes for being a disappointment to her.  On the table is an open telegram stating that her husband has been killed in action.

Notes
The film is Based on the novel Cimarron by Edna Ferber (New York, 1930).

The film's opening title cards reads: "Metro-Goldwyn-Mayer presents Edna Ferber's Cimarron."  According to a September 1940 HR news item, Wesley Ruggles, who directed the first screen version of Ferber's novel, the 1931 RKO film Cimarron, was interested in redoing the story as a musical for Columbia.  In July 1941, HR then reported that MGM planned to team Clark Gable and Norma Shearer in a remake of the 1931 film.  Neither project was realized, however.

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According to a March 1958 DV news item, producer Edmund Grainger wanted Rock Hudson to play the male lead in what became the 1960 release, which at that time was to be scripted by Halstead Welles.  Welles's contribution to the completed picture has not been determined.  HR news items add that George Hamilton, Dean Stockwell and Steve McQueen were considered for the role of "The Kid," Eva Marie Saint was considered for the role of "Sabra Cravat" and Carolyn Jones was initially cast as "Dixie Lee."  According to a November 19, 1959 HR news item, MGM secured a two-month early release from the U.S. Army for actor Russ Tamblyn to appear in the film.

A NYT news item noted that many scenes in the film were shot on location around Tucson and Mescal, Arizona.  The land rush scene employed a crowd of 1,000 extras, 700 horses and 500 wagons and buggies.  Additional location shooting was completed on ranches in the San Fernando Valley, California.  A February 1960 LA Mirror-News item added that the fictional town of Osage was built on three sound stages comprising over eleven acres at the MGM lot, making it the biggest western community in the studio's history.

In a March 5, 1961 letter printed in NYT, Ferber wrote: "I received from this second picture of my novel not one single penny in payment.  I can't even do anything to stop the motion-picture company from using my name in advertising so slanted that it gives the effect of my having written the picture....I shan't go into the anachronisms in dialogue; the selection of a foreign-born actress...to play the part of an American-born bride; the repetition; the bewildering lack of sequence....I did see Cimarron ...four weeks ago.  This old gray head turned almost black during those two (or was it three?) hours."

Cimarron received an Academy Award nomination for Best Sound, but lost to The Alamo.

Music includes Cimarron," music by Franz Waxman, lyrics by Paul Francis Webster, sung by The Roger Wagner Chorale.

American Film Institute Catalog

Poster artwork courtesy of Dieter

 
 
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