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Warner Bros., 1949. Directed by
King Vidor. Camera: Robert Burks. With
Gary Cooper,
Patricia Neal, Raymond Massey, Kent Smith, Robert Douglas, Henry Hull, Ray
Collins, Moroni Olsen, Jerome Cowan, Paul Harvey, Harry Woods, Bob Alden,
Paul Stanton, Roy Gordon, Tristram Coffin, Ann Doran, Ruthelma Stevens,
Isabel Withers, Almira Sessions, Tito Vuolo, Bill Haade, Thurston Hall,
Dorothy Christy, Harlan Ward, Jonathan Hale, Frank Wilcox, Douglas Kennedy,
Pierre Watkin, Selmer Jackson, John Doucette, John Alvin, Fred Kelsey,
George Sherwood, Paul Newlan, Lois Austin, Josephine Whittell, Bill Dagwell,
Charles Trowbridge, Russell Hicks, Raymond Largay, Charles Evans, Morris
Ankrum, Griff Barnett, G. Pat Collins, Creighton Hale, Philo McCullough,
Geraldine Wall, Lester Dorr, Gail Bonney. |
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Visionary student architect Howard Roark
strives to break away from the classically inspired designs of
ordinary architects. His unwillingness to compromise, despite
the advice of his ambitious friend, Peter Keating, causes him to be
kicked out of school, but earns him a job with Henry Cameron, a
talented architect, who also believes that form must follow
function.
After Cameron is completely destroyed by
the system, Roark sets up his own company, but gets only an
occasional job. Roark is offered a commission to build a bank
building, but when he learns that the bank wants him to add some
classical touches, he rejects the commission, to the secret delight
of Ellsworth Toohey, the architectural critic at the Bulletin
newspaper. Gail Wynand, the owner of the Bulletin, holds a
controlling interest in the bank, and when he asks Toohey to suggest
a replacement for Roark, Toohey suggests the now successful Peter
Keating. Wynand is not impressed with Peter's work and
consults with Dominique Francon, the paper's other architectural
writer, whose father is Peter's partner. Even though Peter is
Dominique's fiancée, she refuses to recommend him and her ferocious
independence so impresses Wynand that he falls in love with her.
Later, at a dinner party, Wynand offers
the commission to Peter if he will break his engagement to
Dominique. After Peter accepts the commission and leaves
Wynand's apartment, Wynand proposes to Dominique, but, saying that
she is incapable of feeling, Dominique turns him down. She
then leaves New York for her father's country house. There she
meets Roark, who has taken a job working at a nearby quarry.
Although they never exchange names, they are instantly drawn to each
other. After a brutal sexual encounter with Dominique, Roark
returns to the city, where a man named Enright offers him work.
At Toohey's suggestion, the Bulletin
starts a campaign against the Enright Building. Dominique,
impressed by the design, begs Wynand to call off the campaign, and
when he refuses, she resigns. The building completed, Enright
throws a party in Roark's honor, and for the first time, Dominique
learns the identity of her mysterious lover. Later, she visits
Roark in his apartment and tells him that even though she loves him,
she will never see him again as she cannot bear to see him
destroyed. Roark admits that he returns her love and adds that
he will wait for her until she has learned not to be afraid of the
world. Immediately after leaving Roark, Dominique asks Wynand
to marry her.
Slowly, Roark gets commissions for small
buildings, farms, gas stations and homes from people who have seen
his work and like it. Eventually Wynand asks Roark to build a
country home for him and Dominique. When Dominique learns who
is designing the house, she reminds Wynand of the Bulletin's
campaign against Roark, but Wynand is charmed by the architect, and
he becomes a frequent guest of the couple. Meanwhile, Peter
has started to lose business. He begs Roark to help him design
the Cortlandt Homes, a housing project, and Roark, realizing that he
would never be able to get his own design past Toohey, agrees on
condition that Peter promise it will be built exactly as he
specifies.
Peter does not have the strength of character to
enforce Roark's wishes, and Roark returns from a vacation to witness
the construction of a greatly altered building. With
Dominique's help, he blows up the project and then admits his guilt. Wynand's is the only paper to stand behind Roark, and Toohey and his
cronies are able to whip up public opinion against both Roark and
Wynand.
In order to save his paper, Wynand is
forced to condemn his friend. Despite all of Toohey's efforts,
however, Roark's impassioned speech in favor of individualism causes
the jury to acquit him. Enright then buys the Cortlandt
project and gives it to Roark to build as he chooses. Wynand
offers Roark a contract to design the Wynand Building and, after the
contract is signed, kills himself. Roark designs the Wynand
Building to be the tallest in the city and finally marries
Dominique.
Notes
The film is based on the novel The Fountainhead by Ayn Rand
(New York, 1943). Like Ayn Rand's novel, the film, which she
also wrote, depicts her concern with the rights of the individual
over the demands of society and expounds her belief that genius
entitles the superior man to ignore moral and ethical constraints.
The character of "Howard Roark" was ostensibly based on architect
Frank Lloyd Wright.
A September 18, 1945 HR news item
noted that Warner Bros. wanted to borrow
Alan Ladd from Paramount to co-star in the film with
Lauren Bacall, while a January 24, 1945 HR news item
reported that Mervyn LeRoy was to direct the film with stars
Humphrey Bogart and
Barbara Stanwyck. According to a February 19, 1948 NYT
article, Harriet Frank, Jr. was hired to adapt Rand's novel for
the screen, but only Rand received screenplay credit. Among
the actresses considered for the lead were
Bette Davis and
Greta Garbo, according to a June 21, 1948 HR news item.
A modern source reports that
Barbara Stanwyck had urged Warner Bros. to purchase Rand's novel
in 1943. MGM star
Clark Gable, who had wanted to play the role of "Howard Roark,"
later told Rand that he had complained to the studio for not
protecting his interests by buying the novel for him. The
quarry scenes were shot on location near Fresno, California,
according to a July 13, 1948 HR news item.
Modern sources add the following
information about the film: Ayn Rand agreed to write the script
providing that nothing would be changed without her permission.
Director King Vidor wanted Frank Lloyd Wright to design the film,
but his fee of $250,000 was not approved by Jack L. Warner.
Edward Carrere's sets were scorned by the architectural press.
Interiors critic George Nelson, as quoted in a modern source
reprint, called the sets the "silliest travesty of modern
architecture that has yet hit the film," and "a total perversion of
formal and structural elements."
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Additional photos courtesy of Gary |
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Click thumbnails for larger images |
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