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Columbia, 1940. Directed by
Alexander Hall. Camera: Joseph Walker. With
Loretta Young,
Melvyn Douglas,
Alan Marshall,
Eugene Pallette, Una O'Connor, Curt Bois, Leonid Kinsky, Trevor Bardette,
Henry Hale, Grady Sutton, Frank Sully, Evelyn Young, Ethelreda Leopold,
William Castle, Ernie Adams, Jack Rice, Harry Semels, Jack Douglas,
Ferdinand Munier, Guy Repp, Charles Wagenheim, Nestor Paiva, Vernon Dent,
Frederick Worlock, Leonard Murie, George Burr MacAnnan, Jack Lowe, Art Miles. |
Paul Beliot, a Communist organizer
working as a waiter in Paris, shoots a coffee cup from the hand of
fat capitalist Maurice Duval because the banker's lifted pinky
finger annoys him. Disguised as a policeman in order to elude
the authorities, Paul takes refuge in the apartment of Marianne
Duval, the banker's estranged wife.
Intrigued by the fugitive, Marianne
hides him in her apartment, but with a round the clock guard
surrounding the building, he becomes trapped. This causes
problems when Duval visits his estranged wife and newspaper
publisher Andre Dorlay comes to court her. As Marianne juggles
three men, Paul tries to convert her maid, Doreta, and denounces
capitalism and preaches revolution until he becomes accustomed to
living in luxury and is enchanted by Marianne's beauty.
Gradually, Paul comes to realize that he
has fallen in love with Marianne. Their romance is endangered
when Paul is summoned to the Communist headquarters and ordered to
surrender himself under circumstances that would place the blame on
Marianne. After refusing, Paul returns to Marianne's
apartment, where he is discovered by Dorlay and Duval, who turn him
over to the police. To get Duval to drop charges against Paul,
Marianne agrees to return to her husband and Paul is released.
The next morning, as Marianne and her
husband sit down at the breakfast table, Duval crooks his finger in
an annoying arc, and Marianne, irked, shoots the cup from his hand.
She then flees to Paul's garret, where the two prepare to set sail
for America.
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