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Warner Bros., 1942. Directed by
John Huston. Camera: Ernest Haller. With
Bette Davis,
Olivia de
Havilland, George Brent, Dennis Morgan, Charles Coburn, Frank Craven,
Billie Burke, Hattie McDaniel, Lee Patrick, Mary Servoss, Ernest Anderson,
William B. Davidson, Edward Fielding, John Hamilton, William Forrest,
Walter Huston,
Elliott Sullivan, Eddie Acuff, Alan Bridge, Walter Baldwin, Herbert Heywood,
George Reed, Dudley Dickerson, Walter Brooke, Ruth Ford, Billy Wayne, Ira
Buck Woods, Sam McDaniel, Billy Mitchell, Napoleon Simpson, "Sunshine" Sammy
Morrison, Jester Hairston, Freddie Jackson, Fred Kelsey, Frank Mayo, Eddy
Chandler, Lee Phelps, Reid Kilpatrick, Pat McVeigh, Jack Mower. |
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Asa Timberlake has lost his money to
William Fitzroy, his former partner in the tobacco business.
His wife Lavinia, William's sister, and he have two daughters: Roy,
who is married to Dr. Peter Kingsmill, and Stanley, engaged to be
married to lawyer Craig Fleming. The selfish Stanley is the
favorite of her uncle William, who showers her with expensive
presents.
The night before her wedding, Stanley
runs off with Roy's husband. Roy wastes no time mourning, but
continues with her decorating business and divorces Peter, leaving
him free to marry Stanley. Sometime later, Roy encounters
Craig in the park, and they begin to seeing each other. Craig
hires Parry Clay, the son of the Timberlake maid, Minerva, to work
in his law office to help Parry put himself through law school.
William offers to make Craig his attorney if he will drop certain
poorer clients, and when Craig refuses, Roy agrees to marry him as
soon as possible.
Meanwhile, in Baltimore, Stanley's
marriage deteriorates: she spends too much money and Peter drinks
too much. Finally, in desperation, Peter commits suicide, and
Roy travels to Baltimore to bring her sister home. As soon as
Stanley recovers, she resolves to win back Craig's affections.
She visits Craig's office under the pretext of wanting information
about Peter's insurance policy.
Learning that Stanley wants money to
leave town, Craig offers to arrange a loan. Stanley then asks
him to dinner at a local tavern. When he does not appear,
Stanley gets very drunk. Driving too fast, she hits and kills
a child. Stanley's car is recognized, but when the police
question her, she claims that Parry was driving her car that night
and that he must have committed the crime. Roy is suspicious,
however, and learns from Minerva that Parry was at home on the
evening in question. Roy is convinced that Stanley is lying,
but Craig is still unsure. He tricks Stanley into facing
Parry, who is now in jail, but she still refuses to tell the truth.
Craig reminds her that she had invited him to the tavern and when he
tells her that he questioned the bartender, Stanley breaks down.
Craig insists on taking her to the district attorney, but Stanley,
under the guise of changing her clothes sneaks out.
She drives to William's and begs him to
save her from jail. William, who has just learned that he has
only six months to live, is too stunned by the news to pay attention
to his niece, however. The police, who have been summoned by
Craig, arrive at the house and Stanley once again tries to escape.
The police see her and chase the car. During the chase,
Stanley crashes the car and dies.
Notes
The film is Based on the novel In This Our Life, by Ellen
Glasgow (New York, 1941), which won the 1942 Pulitzer Prize for
Literature. According to a LAEx news item dated
February 27, 1941, the studio paid $40,000 for rights to the novel.
A February 27, 1941 HR news item adds that the film was to
star
Olivia de Havilland and
Errol Flynn.
Warner Bros. was named to the Honor Roll
of Race Relations of 1942 for making this film because of its
dignified portrayal of an African-American, although, according to a
September 8, 1942 HR news item, Warner Bros. cut scenes which
treated Ernest Anderson's character in a "friendly fashion" in order
to avoid offending viewers in the South. In 1943, when the
film was examined by the Office of Censorship in Washington, DC
prior to general export, it was disapproved because "only by the
effort of a conscientious white man in whose law office a Negro boy
is studying law is the young man saved from a charge of
murder...recklessly made by a white woman....(who) claimed that the
Negro and not she, was driving the car at the time of the accident
and so strong is the race feeling in this Virginia community that
the young Negro was practically condemned in advance. It is
made abundantly clear that a Negro's testimony in court is almost
certain to be disregarded if in conflict with the testimony of a
white person."
Actor
Walter Huston, director John Huston's father, appears briefly in
the film in a cameo role as a bartender. Modern sources
erroneously note that
Humphrey Bogart,
Mary Astor,
Sidney Greenstreet,
Peter Lorre,
Ward Bond,
Barton MacLane and
Elisha Cook, Jr. appear as uncredited bits in the bar scene in
the tavern.
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