Liza Elliott, the stern editor-in-chief
of Allure fashion magazine, finds that she is on the verge of
a nervous breakdown. Liza rejects her physician's advice to go
into psychoanalysis and seeks solace in her work, but her condition
is aggravated by jokester Charley Johnson, her publicity and
advertising manager, who constantly challenges her authority.
Liza's married boyfriend, Allure publisher Kendall Nesbitt,
also fears that his unavailability is contributing to her confusion.
Frightened by her own lack of control,
Liza starts therapy with Dr. Alexander Brooks. During her
first session, Liza recalls that in her most recent dream she wore
an extravagant blue gown, which baffles her as she hates the color
blue. In the dream, Charley is commissioned to paint Liza's
portrait for a two-cent stamp, but the portrait is a caricature, and
Liza becomes a laughingstock. Brooks surmises that although
Liza is controlled and severe in her appearance, it may be her
secret childhood dream to be glamorous.
Later that day, Liza's staff loses
control when handsome Hollywood star Randy Curtis comes in to model
for photographs and makes it impossible for photographer Russell
Paxton to do his work. Liza is unmoved by Randy's good looks,
but when Kendall announces that he is now free to marry her, Liza
greets the news with trepidation, and agrees to a dinner date with
Randy.
That night, Liza dreams that she falls
in love with Randy just before her wedding. Charley officiates
at the dream wedding, and when he asks if anyone opposes the
marriage, the guests shout at Liza to reveal her true self.
After she relates her dream to Brooks, he suggests that Kendall is a
father figure, and that her "true self" wants to be glamorous.
Liza angrily rejects Brooks's diagnosis and cancels all future
sessions.
The next day, Charley announces his
resignation so that he can work as an editor at another magazine.
Liza offers Charley a raise, but he rejects her offer because he
knows that she will never step down from her position. Kendall
then confronts Liza, and when she admits that she does not want to
marry him, he insists that she fulfill her commitment. After
Randy later implies that it is Liza's plain appearance that pleases
him, Liza puts on a lavish gown for their dinner date. That
night at supper, Randy confesses his love for Liza, but she leaves
abruptly when their intimate conversation is interrupted by Charley
and his date, who is an ardent fan of Randy.
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At home, Liza is tortured by her
inability to make a decision about marrying Kendall, about using
Charley's new idea for a circus-themed Easter cover, and finally,
about the kind of woman she wants to be. Inspired by Charley's
drawings for the circus-themed cover art, Liza dreams that she is a
child attending a circus, and that Charley is the ringmaster: Liza
is suddenly a grown woman in a cage and is put on trial for her
indecision. Liza defends herself by singing the "Saga of
Jenny," about a woman whose firm decisions always lead her astray.
Liza then hears the strains of "My Ship," a tune from her childhood,
which she hums any time she is worried. When Liza seeks
comfort in an image of her father, he angrily responds that she
should take off her outrageous dress.
The next day, Liza returns to Brooks,
and they confirm that the source of Liza's trouble lies in her
childhood. One day, Liza's father asks her to sing "My Ship"
for her mother's friends, all of whom cherish her mother for her
beauty. Liza is humiliated when they find no resemblance
between mother and daughter, and she is unable to sing the song.
Liza's mother dies shortly after, and to draw her father out of his
grief, Liza tries on her mother's blue gown. Liza's father
angrily demands that she take off the dress, and thereafter, Liza
avoids her father and focuses only on schoolwork.
When she is invited to her high school
graduation dance by Ben, who is considered the most handsome boy in
the school, a little light comes back into her life, but this soon
dims after Ben abandons her at the dance in favor of his former
girlfriend. Brooks now suggests that Liza has withdrawn from
femininity to avoid being hurt, and therefore, has forced men to
accept her as their superior. Brooks believes that she may
only be happy with a man who will dominate her.
With a new outlook on life, Liza gently
rejects Kendall and accepts Randy's marriage proposal. When
Randy asks her to head his new production studio, however, Liza
realizes that he is not the man for her. Liza then offers
Charley a partnership, with the possibility that she will eventually
relinquish her position, and Charley delightedly accepts.
While discussing new ideas for the magazine, Charley and Liza
discover they love each other and kiss. Russell, frustrated by
the demands of his work, stops into Liza's office and, seeing them
kissing, announces, "This is the end, the absolute end!"