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Fox Film Corp., 1934. Directed by
Joe May. Camera: Ernest Palmer. With
Gloria Swanson,
John Boles, Douglass Montgomery, June Lang, Al Shean, Reginald Owen, Joseph
Cawthorn, Hobart Bosworth, Sara Haden, Roger Imhoff, Jed Prouty, Christian
Rub, Fuzzy Knight,
Marjorie Main, George Chandler, Ferdinand Munier, Grace Hayle, Otto
Fries, Torben Meyer, Otis Harlan, Herbert Heywood, Lee Kohlmar, Jean Olmes,
George Ernest, Henry Hanna, Ann Howard, Betty Jane Graham, Adolph Dorr. |
In the Bavarian mountains, schoolteacher
Karl Roder is in love with pretty Sieglinde and writes songs with
her father, Dr. Walter Lessing. At a town festival, Karl
and Walter introduce their new song, which goes over so well with
the townsfolk that they give Walter the village funds with which to
go to Munich. They hope that Walter will be able to reunite
with his old friend, Ernst Weber, now a famous agent and music
publisher, and interest Ernst in publishing the song.
Karl also goes to Munich with his
mountain climbing group, and when he arrives, he goes to Ernst's
office, where he meets Frieda Hotzfelt, an opera prima donna, and
Bruno Mahler, a libretto writer. Frieda and Bruno enjoy a
jealous, volatile relationship, and when Karl arrives, they have
just had a fight about whether Frieda will sing in Bruno's new
opera. Frieda is taken with handsome Karl, as Bruno is with
Sieglinde when she and her father arrive. Ernst agrees to put
Walter and Karl's song in the new show, and that afternoon, Bruno
and Frieda woo their respective naïve victims. After Bruno and
Frieda fight again, Freida refuses to sing in the show then tries to
convince Karl to run away with her to Venice.
Tired of Frieda's confusing
sophistication, Karl sneaks out of her hotel room to find Sieglinde,
who tells him that Bruno has arranged for her to take Frieda's place
as the opera's prima donna. Karl tries to convince her that
Munich is no place for simple folk like them, but Sieglinde assumes
that he is disparaging her talent and refuses to leave with him.
Weeks later, at a dress rehearsal of the
opera, Ernst, Bruno, the conductor, Hans Uppmann, and Kirschner, the
director, agree that Sieglinde is simply awful in the role and must
be replaced by Frieda, who has secretly been rehearsing with Hans.
Karl, who has come back to Munich after missing Sieglinde to the
point of distraction, overhears their decision and tries to warn
her, but she refuses to believe him and tells him to leave.
She is crushed when Hans tells her that she lacks the necessary
experience and style, and Walter, too, is severely disappointed when
Hans says that, even though Walter's song may remain in the opera,
his orchestration will be replaced.
They return to their village full of
sorrow and shame, but later, when the opera's opening night is
broadcast on the radio, the entire village celebrates when they hear
Walter's song. Ernst confirms that the song is a big hit, and
both couples happily reunite.
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