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MGM, 1934. Directed by
Richard Boleslavsky. Camera: George Folsey. With
Marion Davies,
Gary
Cooper, Jean Parker, Katharine Alexander, Ted Healy, Russell Hardie,
Henry Wadsworth, Douglass Dumbrille, Willard Robertson, Fuzzy Knight, Sidney
Toler, Robert McWade, Marjorie Gateson, Wade Boteler, Walter Long, The Four
Mills Brothers, Ernie Adams, Larry Adler, Ernie Alexander, Sam Ash, Zita
Baca, Reginald Barlow, Margaret Bert, Frank Burt, Claudia Coleman, Nell
Craig, Belle Daube, Donald Douglas, John Elliott, Douglas Fowley, Arthur
Grant, Billy Griffith, Sherry Hall, William Henry, Hattie Hill, Samuel S. Hinds, Sam McDaniel,
Sterling Holloway, Wallie Howe, Si Jenks, Dewitt Jennings, Edgar Kennedy,
John Kirkley, Lia Lance, John Larkin, Frank Leighton, Charles Lloyd, Wilfred
Lucas, Mary MacLaren,
James A. Marcus,
Frank Marlowe, Hattie
McDaniel, Francis McDonald, Frank McGlynn, Jr., James C. Morton, Wheeler Oakman,
Franklin Parker, Lee Phelps, Richard Powell, Buddy Roosevelt, James
Sheridan, Robert R. Stephenson, Richard Tucker, Martin Turner, Dorothy
Vernon, E. Alyn Warren, Poppy Wilde, Clarence Wilson. |
Early in the Civil War, the Second
Battle of Bull Run is a disaster for the North. At a camp show
for Union soldiers, performer Gail Loveless is recruited to become a
spy by her friend, Pauline Cushman, who is herself a spy known as
"Operator 27." Working for agent Major Allen Pinkerton, Gail
agrees to become a spy known by the code name "Operator 13."
She then goes South with Pauline to the headquarters of Confederate
General "Jeb" Stuart.
Posing as Pauline's black maid, Gail
encounters Captain Jack Gailliard, a Confederate officer, when he
rides by her washing and ruins it. Jack is a spy for the
South, and when Pauline asks too many questions about him at a ball
that evening, he and Captain Cornelius Channing become suspicious
and have her room searched.
Meanwhile, a traveling medicine show run
by Doctor Hitchcock, who is secretly a captain in the Northern army,
arrives looking for Operators 27 and 13. Gail is able to
transfer information about Confederate troop movements to Hitchcock
just as Pauline is being arrested. Gail is also suspected of
being a spy, but when she is brought to testify at Pauline's trial,
she divulges Pauline's real identity and says that her mistress
"turned Yankee." Pauline is then sentenced to death, but Gail
and Hitchcock help her to escape.
Back in Washington, Pinkerton knows that
Pauline can no longer operate across enemy lines, so he entrusts
Gail with the mission to learn more about the activities of Jack,
whom Pinkerton suspects is working with "Copperheads," Southern
sympathizers, who live in the North. To make herself
believable, Gail, using the name "Anne Claybourne," openly jeers at
marching Union soldiers. She and a man posing as her father
are then "arrested." When the incident is reported in Southern
newspapers, "Anne" becomes a heroine and is deported to Richmond,
where she becomes the guest of Mrs. Shackleford and her daughter
Eleanor.
Gail also re-encounters Jack, who is
attracted to her, but suspects that he has seen her before.
While at the Shackleford's, Gail is able to pass on information to
the North that results in an important victory, but which causes the
death of Eleanor's fiancée, John Pelham, just a few hours before
their wedding. Feeling guilty over her part in John's death,
Gail goes into the garden to cry and is met by Jack, who tells her
that he loves her. Because she has also fallen in love with
him, she moves him out of the aim of one of her operatives who is
spying on them from the bushes.
Soon, however, she gets away from Jack
and, dressed in a Confederate soldier's uniform, heads North after
the operative tells her that the Confederates now know she is a spy.
As Jack and Channing chase her into the woods, they split up and
Jack finds Gail asleep in a spring house. He then angrily
calls her a a traitor and vows to take her back for a court-martial.
He handcuffs Gail, but as they leave the house, they see Union
soldiers execute Channing. Gail's operative then rushes toward
the soldiers, but because of his rebel uniform, he is shot.
The Union soldiers then engage the Confederate troops right outside
where Gail and Jack are hiding, and Jack leaves Gail by blending in
with the retreating Confederate soldiers.
Although they part, a few years later, the war is finally
over and Gail and Jack reunite and pledge their love to each other.
Notes
Robert W. Chambers' novel was serialized in Hearst's
International-Cosmopolitan, and the film credits the source as "The
Stories of Robert W. Chambers," rather than the novel.
According to a news item in HR in August 1933, Fred Niblo,
Jr. and C. Gardner Sullivan were collaborating on a screenplay for
Operator 13, but the extent of their participation in the
completed film has not been determined.
According to various news items in DV
and HR, production began on February 1, 1934 under Walter
Wanger's supervision and Raoul Walsh's direction, with Al Shenberg
working as the assistant director. On February 12, 1934,
production was stopped on orders from William Randolph Hearst, the
head of Cosmopolitan Pictures. A DV news item notes
that all of the film shot was scrapped and a new story was written.
At that time, Wanger was replaced by Lucien Hubbard, who was
originally intended to produce the picture. Because Walsh
protested the new script, he was also taken off the film. The
picture resumed production on February 19, 1934, under Hubbard's
supervision, with Richard Boleslavsky the new director and Red
Golden the new assistant director.
Although the CBSC lists Jay Lloyd as
"Gaston," Wade Boteler is credited with that role on the film.
Var commented, "Miss Davies is particularly effective as a
colored wench, a disguise she simulates in one major chapter as the
maid to Katherine Alexander. Her dialect and mannerisms are
decidedly effective." For his work on the film,
cinematographer George Folsey received an Academy Award nomination.
Music includes: "The Colonel,
Major and the Captain," "Once in a Lifetime" and "Sleepy
Head," words and music by Walter Donaldson and Gus Kahn; "Jungle
Fever," words and music by Walter Donaldson and Howard Dietz.
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Additional photo courtesy of Frances |
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