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Paramount, 1948. Directed by
Norman Z. McLeod. Camera: Ray Rennahan. With
Bob Hope,
Jane Russell,
Robert Armstrong, Iris Adrian, Robert Watson, Jack Searle, Joseph Vitale,
Charles Trowbridge, Clem Bevans, Jeff York, Stanley Andrews, Wade Crosby,
Chief Yowlachie, Iron Eyes Cody, John Maxwell, Tom Kennedy, Henry Brandon,
Francis J. McDonald, Frank Hagney, Skelton Knaggs, Olin Howland, George
Chandler, Nestor Paiva, Earl Hodgins, Arthur Space, Edgar Dearing, Dorothy
Grainger, Charles Cooley, Eric Alden, Babe London, Loyal Underwood, Billy
Engle, Al M. Hill, Houseley Stevenson, Margaret Field, Laura Corbay, Patsy
O'Byrne, Lorna Jordan, Jody Gilbert, Harry Harvey, Paul E. Burns, Hall
Bartlett, Stanley Blystone, Bob Kortman, Oliver Blake, Lane Chandler, Syd
Saylor, Walden Boyle, John "Skins" Miller, Len Hendry, Duke York, Ethan
Laidlaw, Roland Barrera, Rudolph Valentino, Dick Elliott, Sharon McManus,
Carl Andre, Ted Mapes, Trevor Bardette, Kermit Maynard, Paul Dunn, Jerry
Hunter, Eugene Persson, Billy Andrews, Marlyn Gladstone, June Glory, Maria
Tavares, Betty Hannon, Dee La Nore, Charmienne Harker, Jerry James, William
Meader, Dorothy Abbott, Lee Blanchard, Kuka Tuitama, Ralph Gomez, Milton
Frieburn, Sonny Chorre, Ralph Willingham, Titus Spencer, LeRoy Johnson, Tim
Nelson, Chick Hannon, Ethel Bryant, Dick Farnsworth. |
Sharpshooter and outlaw Calamity Jane is
released from prison in order to catch renegades who have been
smuggling guns to the Indians. She is ordered to Fort
Deerfield, where she plans to join up with lawyer Jim Hunter and
pose with him as a pioneer couple traveling West. Hunter is
killed before Jane reaches him, but has left word for her to contact
a friend of his named Hank Billings in the small town of Buffalo
Flats.
Jane is followed there, and makes a
narrow escape with "Painless" Peter Potter, a timid, quack
correspondence school dentist, whom she marries for the wagon train
trip. Painless, completely oblivious to Jane's ulterior
motives for marrying him, attempts to make love to her, but is met
with a sharp thud on the back of his head every time he tries to
kiss her.
During an Indian attack on a pioneer
camp, Jane deftly kills nearly a dozen Indians singlehandedly, but
lets everyone, including Painless, believe he did the killing,
hoping that the renegades will believe he is a federal agent.
Meanwhile, in Buffalo Flats, Toby
Preston, the renegades' leader, receives word that a new federal
agent is about to arrive with the wagon train. When the wagon
train pulls into town, Jane learns from Hank that two loads of
dynamite came with them. Believing him to be the agent,
Preston's men immediately attempt to get rid of Painless by ordering
a saloon girl named Pepper to seduce him, thereby inciting the
lethal jealousy of her boyfriend Joe. Painless talks tough and
gives Joe until sundown to get out of town, and Jane decides to let
him be killed in order to get rid of him. At the last minute,
as Painless walks out into the street to meet Joe for a duel, Jane
decides to save Painless in order to use him as bait, and shoots for
him from a window, killing Joe.
Hank later enters Jane and Painless'
room with an arrow in his back and tells her that the dynamite is in
the undertaker's parlor. Jane sends Painless after the
dynamite, and he bravely holds up the renegades, but then is
abducted by an Indian. He and Jane are then taken hostage at
an Indian camp, where she confesses that she married him to aid her
in catching the outlaws, but now loves him. Also at the camp
is the white turncoat, Jasper Martin, whom Jane recognizes as one of
the governor's aides. As Jane is tied to a stake and prepared
for burning, Painless, transformed by Jane's love, rigs the dynamite
to blow, and they escape.
Later, as Jane and Painless leave for
their honeymoon, she is pulled from the wagon by one of the horses
and dragged off into the distance.
Notes
In the film's closing scene, after
Jane Russell is dragged off,
Bob Hope says to the camera, "What do you want, a happy ending?"
According to a Paramount News item, Paramount negotiated with
representatives of Howard Hughes, who at the time of production had
Russell under personal contract, to obtain the actress for this
film. Information in the Paramount Collection at the AMPAS
Library reveals the following information about the production:
The filmmakers originally considered
Barbara Stanwyck for the part of "Calamity Jane." The
wagon chase scene was shot on location in Chatsworth, and other
scenes were shot at China Flats, the Conejo Airport and the Iverson
Ranch in Chatsworth, all in California. HR news items
include the following actors in the cast, but their appearance in
the final film has not been confirmed: Clint Dorrington, Speed
Hansen, Ethel Greenwood, Marion Gray, Victor Travers, Al Stewart,
Harry Ansel, Elmo Lincoln, Jack Ford, Tex Driscoll, The Cirillo
Brothers (Michael, Charles and Tony), Robert Espinoza, James
Archuletta, Richard Numena and Chief Sky Eagle.
In 1952, Hope and Russell starred in a
sequel to The Paleface called
Son of Paleface, directed by Frank Tashlin. In 1968,
The Paleface was remade into The Shakiest Gun in the West , with
Alan Rafkin directing and Don Knotts and Barbara Rhoades starring.
Among the many other films featuring Martha Jane Canary, popularly
known as "Calamity Jane," are: the 1923 Famous Players-Lasky film
Wild Bill Hickock, directed by Clifford S. Smith and starring
Ethel Grey Terry and
William S. Hart; the 1936
Cecil B. DeMille film
The Plainsman, starring
Gary Cooper and
Jean Arthur; the 1949 film Calamity Jane and Sam Bass,
directed by George Sherman, and starring
Yvonne de Carlo and Howard Duff; and the 1995 United Artists
film Wild Bill, directed by Walter Hill, and starring Ellen
Barkin and Jeff Bridges.
Music includes "Buttons and Bows"
and "Meetcha 'Round the Corner," music and lyrics by Jay
Livingston and Ray Evans; "Get a Man," music and lyrics by
Joseph J. Lilley. Songwriters Jay Livingston and Ray Evans won
an Academy Award for Music for their song "Buttons and Bows."
Although Paramount News reported in October 1947 that the Robert
Mitchell Boys Choir had been signed to sing "Buttons and Bows" in
The Paleface, the song was performed in the film as a solo by
Bob Hope. A recording of the song was released prior to
the film's opening, and several reviews mention that it became a hit
without the aid of the film. A reported three million copies
of the record and 700,000 copies of the sheet music were sold as of
1949, when orchestra leader and songwriter Freddie Rich filed a
plagiarism suit over the song. Paramount, Jay Livingston and
Ray Evans, Decca, Famous Music, RCA Victor, Columbia Records and
Capital Records were named as defendants in the half-million-dollar
suit. After "Buttons and Bows" was used in the film's
1952 sequel,
Son of Paleface, Rich, who claimed portions of the song were
taken from his score for Paramount's 1942 film Wildcat, added
$250,000 to his estimate of damages. According to various
sources, twenty-two to thirty-two bars of "Buttons and Bows"
were in question. A jury turned in a verdict in favor of
Paramount, and Rich lost a later appeal in February 1955.
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