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In Calais, a destitute English woman is
caught stealing a bottle of wine and put in jail, where she tells
another prisoner, Mary Smith, that she is the once-famous Emma, Lady
Hamilton. In 1786, beautiful young Emma Hart arrives in Naples
with her mother, Mrs. Cadogan-Lyon, at the palace of Sir William
Hamilton, the British ambassador and uncle of her lover, Charles
Greville. Emma is shocked when Hamilton informs her that
Charles never intended to marry her, and that he sent her to Naples
in exchange for money to pay off his debts. Hamilton offers
Emma a new life in Naples, and she agrees to stay with him,
eventually becoming his wife.
One morning they are visited by Horatio
Nelson, a British naval officer, who tells them that England is now
at war with France. Nelson has come to Naples seeking military
support, and Emma uses her influence with the Queen to secure troops
for him. However, the ensuing five years of war exhaust both
the resources of the navy and the sympathy of the neighboring
European countries, who are, Nelson bitterly complains, too
intimidated by Napoleon Bonaparte to stand behind England.
While anchored outside of Naples, Nelson
receives a visit from Emma, who is horrified to see that he has lost
an arm and the sight in one eye. She brings a promise of
assistance from the Queen, and Nelson goes on to defeat Napoleon in
Egypt. After returning to Naples in triumph, Nelson is
overcome by illness and nursed by Emma, with whom he falls in love.
Nelson, who is married, departs for Malta, but disobeys orders and
returns to Naples when word reaches him that revolution has broken
out. He saves the royal family and the Hamiltons, but his
actions earn him the scorn and disapproval of the British Admiralty,
who order him to return to England alone.
While awaiting Nelson at a London hotel,
the dour Lady Frances Nelson and her father-in-law, Reverend Nelson,
are visited by Lord Spencer, who discreetly reports that Nelson has
already arrived, accompanied by Emma. The next day, Emma
faints at the House of Lords, and Lady Nelson, concluding that Emma
is pregnant, angrily reproaches her husband and vows never to
divorce him. Reverend Nelson implores his son to do the right
thing and end his affair with Emma, but Nelson refuses. After
Emma gives birth to a daughter, Horatia, her mother urges her to
reconcile with the ailing Hamilton, if only to protect her
inheritance, but Emma refuses and is left penniless when he dies.
Nelson and Emma move to a home in the
country, where they live happily until 1805, when Nelson is called
to defend England against Napoleon, who has formed an alliance with
Spain. Nelson leads his men to a stunning victory at the
Battle of Trafalgar, but is killed by a sharpshooter's bullet.
Nelson's aide, Captain Hardy, tearfully brings the news to Emma, and
years later, in the jail at Calais, she observes that the story of
her life ended at that tragic moment.
Notes
The working title of this film was Lady Hamilton,
which was also the title of the British release. Many reviews
referred to the film as That Hamilton Woman!, and, according
to a November 13, 1940 HR news item, the film was at one time
going to be released under the title The Enchantress.
The real Emma Hamilton (born Amy Lyon, c. 1765) fell into bankruptcy
after the death of Horatio, Lord Nelson, and in 1813 was arrested
for debt. The next year she fled to Calais, where she died in
1815. In her youth, she was a favorite model of English
portrait painter George Romney, who painted her in a number of
historical guises. HR production charts include C.
Aubrey Smith and George Renavent in the cast, but they were not in
the final film.
According
to information contained in the file on the film in the MPAA/PCA
Collection at the AMPAS Library, the Hays Office was concerned that
the film's script was too tolerant of the main characters' adultery.
In a October 30, 1940 letter to producer-director Alexander Korda,
Joseph I. Breen proposed that the screenwriters "punch up" a speech
in which Nelson's father urges him to end the affair, adding that
the film would benefit from "this very positive condemnation and
prediction of disaster, which will follow as a result of their sin."
Breen even provided some sample dialogue, in which Reverend Nelson
invoked the laws of God and predicted that the lovers would end up
in the gutter. The exchange between Nelson and his father, as
depicted in the released film, is relatively mild. However,
modern biographies of Korda report that the scene was rewritten to
satisfy the Hays Office and ended with Nelson admitting that the
affair was wrong, but protesting that he was simply too weak to
leave Emma. According to these biographies, Korda was unhappy
with this compromise, and had the scene cut out of the film after
its release.
That Hamilton Woman had its premiere at
the Four Star Theatre in Los Angeles on March 19, 1941. The
event was a benefit performance for the Royal Air Force Benevolent
Fund. The film's New York opening, as part of Radio City Music
Hall's Easter stage spectacles, set an eight-year attendance record
when more than 11,000 people came to the first two performances,
according to press releases contained in the United Artists
production file at the AMPAS Library. The film won an Academy
Award for Best Sound Recording, and was nominated for Best Art
Direction (Black and White), Best Cinematography (Black and White)
and Best Special Effects. In addition, King George VI rewarded
Alexander Korda's efforts with a knighthood, the first time this
honor was bestowed on a film producer.
Although the film greatly impressed the
British monarchy, it created controversy in the United States, where
strong isolationist sentiments were widely held. Many reviews
commented on the film's attempt to draw parallels between the
Napoleonic Wars and the current situation in Europe, citing an
impassioned speech in which Nelson warns that Napoleon is bent on
world conquest and proclaims: "You cannot make peace with
dictators. You have to destroy them." This speech
brought Korda under suspicion by a Senate subcommittee investigating
the film industry for allegedly producing pro-war propaganda.
In November 1941, Korda received a subpoena to appear before the
committee on December 12, but the December 7 attack on Pearl Harbor
rendered the investigation moot. According to modern sources,
the film was expressly intended as pro-British propaganda, with the
love story between Nelson and Emma serving as camouflage for the
political agenda. Modern biographies assert that Korda left
England for the United States at the request of Winston Churchill,
with a twofold mission: to make films that would arouse
pro-British sentiments, and to use his New York offices as a cover
for British intelligence operations. Korda later told his
nephew and biographer, Michael Korda, "Only four people knew what I
was doing: Brendan Bracken, Max Beaverbrook, Churchill and
myself."
Vivien Leigh and
Lawrence Olivier were married shortly before production on the
film began. That Hamilton Woman was their third and
final film together. An earlier film inspied by the love
affair between Nelson and Emma Hamilton was the 1929 First National
picture
The Divine Lady , directed by Frank Lloyd and starring
Corrine Griffith and Victor Varconi.