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Joan Crawford

 

 

TODAY WE LIVE

MGM, 1933.  Directed by Howard Hawks.  Camera:  Oliver Marsh.  With Joan Crawford, Gary Cooper, Robert Young, Franchot Tone, Roscoe Karns, Murray Kinnell.

 

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Diana Boyce-Smith (Joan Crawford), a young English playgirl during World War I, is having an affair with Claude (Robert Young), who serves as a British naval officer with Diana's brother Ronnie (Franchot Tone).  Diana thinks she is enamored of Claude, but changes her mind when True Love comes along in the person of American aviator Bogard (Gary Cooper).  But Bogard goes off on a flying mission and is reported killed.  Whereupon the heartbroken but still resilient Diana resumes her relationship with Claude, without benefit of clergy.

Her chief confidant is her brother Ronnie, but he tends to side with Claude when inevitable difficulties arise between Diana and Claude, for Ronnie feels that Diana is not being completely honest and fair with Claude.

Then Bogard, who had been thought dead, turns up alive and well.  Bogard, Claude and Ronnie are thrown together and begin a friendly but barbed sea-versus-air rivalry.  Scoffing at the Navy, Bogard takes Claude and Ronnie for a daredevil sky-ride.  When they return safely, Ronnie challenges Bogard to accompany him to sea on Ronnie's motor launch, which is equipped with a single torpedo.  After they have seen some stiff ocean action, Bogard has been duly convinced that there is just as much excitement on the sea as in the air.

Claude is blinded in action, and as he and Ronnie know that Diana deeply loves Bogard, they decide that her happiness should not be jeopardized a second time when they hear that Bogard has offered to sacrifice his life on a suicide mission that involves sinking an enemy ship.   So Ronnie and the blind Claude go out to sea in their launch and sink the vessel before Bogard has had a chance to attack it from the air.  They lose their lives in the process.  Bogard returns unharmed to Diana, and though relieved to be reunited, their joy is tempered by the knowledge of the frightful sacrifice of loved ones that made it possible.

What was said about TODAY WE LIVE:

New York Times (Mordaunt Hall)
Miss Crawford, although she never impresses one as being English, gives a steadfast and earnest portrayal...(The Picture) is vague and cumbersome...As a drama of the war it is not precisely convincing, for coincidences play an important part in its arrangement.  It is also anachronistic, particularly as regards the costumes worn by Joan Crawford.

New York Herald Tribune (Richard Watts, Jr.)
Visually, Today We Live is handsome, striking and genuinely dramatic, and that is not merely because Miss Crawford is photographed so beautifully.  The scenes of aerial warfare are enormously effective, but such scenes have been portrayed so frequently that they have become the commonplaces of the photoplay...Miss Crawford is properly effective in her role even if she doesn't seem like someone called Boyce-Smith.

Although William Faulkner is billed as the author of Today We Live, the picture is no devastating survey of the degeneracy of the New South, filled with murderous neurotics and pathological passions.  Instead, it is a lugubrious romance of the war, replete with clipped speeches, heroic sacrifices, self-effacing nobility and many cries of "stout fellow!"  As a matter of fact, it is only when one of the characters begins to play quaintly with a cockroach that you see any particular traces of the Faulkner influence at all.  For the rest of the time, the work seems more akin to Journey's End than to Sanctuary or Light in August and devotes most of its efforts to permitting Robert Young and Franchot Tone to destroy themselves gallantly so that Gary Cooper may henceforth live happily with Miss Joan Crawford.  It was my suspicion yesterday that their sacrifice was too great.

The Films of Joan Crawford
by Lawrence J. Quirk
The Citadel Press, 1968

 

In 1916, while England is deep in war with Germany, wealthy American Richard Bogard buys an estate in Kent and displaces its longtime occupant, Diana "Ann" Boyce-Smith.  Although she has just learned that her father has been killed in action, Ann treats Bogard with brave graciousness and moves to the guest cottage without complaint.

She then prepares to say goodbye to her brother Ronnie and childhood friend and neighbor, Claude Hope, both newly trained naval officers on their way to France.  Before he leaves, however, Claude, who has loved Ann for years, proposes a postwar marriage, and she happily accepts.

Soon after Claude and Ronnie's departure, Bogard accompanies Ann on a bicycle ride and tells her that he has enlisted in the Royal Air Force.  Unaware of Ann's engagement to Claude, Bogard then confesses his love, and she finally admits that she, too, is in love.  To Bogard's dismay, however, Ann leaves suddenly for a seaport in France, where she meets up with Claude and Ronnie and volunteers for the ambulance corps.  Once alone with Ronnie, Ann confesses her love of Bogard but, although Ronnie advises her to tell Claude the truth, she insists on keeping her marriage pledge.

Later, Ronnie shows Ann an official notice in which Bogard is listed as a casualty of a training accident.  Ann quietly mourns for her dead lover, then assures a frightened, drunk Claude, who is about to leave on a particularly dangerous assignment, that she will "be there" for him when he returns.  While Claude and Ann move in together with Ronnie's blessing, Bogard, who actually recovered from his accident injuries, returns to Kent and learns of Ann's general whereabouts.  Bogard finally finds Ann in a military hospital, but after a brief, tearful reunion, she runs away without explanation.

That night, Bogard and his flying companion, "Mac" McGinnis, come across a drunken Claude in the street and carry him to his home.  Stunned to see Ann there, Bogard deposits the oblivious Claude and leaves in a disapproving, jealous huff.  Bogard and Mac run into Claude again in a café and listen in disgust as he drunkenly tells them about the boat trips he takes with Ronnie.  Convinced that Claude has an easy, safe assignment, Bogard invites him to fly his next mission, which involves bombing a German munitions works.  Still unaware of Ann's connection to Bogard, Claude agrees to accompany Bogard and Mac and surprises them with his expert shooting and cool bravery under fire.  When Ann learns of Bogard's actions, she tells Ronnie to invite Bogard on one of Claude's missions, hoping to change the American's lowly opinion of her.

In the pouring rain, Claude, Ronnie and Bogard set out in a speedboat and, while zooming close to a German battleship, hand-launch a torpedo in a blaze of gunfire.  Although the ship finally is sunk, Claude is blinded during the attack but, with Bogard, pretends that he can still see.  After Bogard tells Ann that he at last understands her situation, Ann learns of Claude's blindness and says a final goodbye to Bogard.  When Claude, who has deduced Ann's love of the American, hears that Bogard has volunteered for a suicidal bombing mission, he insists that he and Ronnie use their boat to destroy the targeted battleship.  While the blind Claude mans the torpedo, Ronnie steers the boat directly into the German battleship, and both officers die in a spectacular explosion.  Free to love, Ann and Bogard return to their home in Kent, where Claude and Ronnie are eulogized as heroes.

American Film Institute Catalog