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Paramount, 1947. Directed by
George Marshall. Camera: Lionel Lindon. With
Bing Crosby,
Bob Hope, Mary
Hatcher, Olga San Juan, DeForest Kelly, Frank Ferguson, Glen Tryon, Nella
Walker, Torben Meyer, Jack Norton, Elaine Riley, Charles Victor, Gus Taute,
Harry Hayden, Gary
Cooper, Ray
Milland, Alan Ladd,
Barbara
Stanwyck,
Paulette Goddard,
Dorothy
Lamour, Sonny Tufts, William Holden, Joan Caufield, Lizabeth Scott, Burt
Lancaster, Gail
Russell, Diana Lynn, Sterling Hayden, Robert Preston,
Veronica Lake,
John Lund, William Bendix, Barry Fitzgerald, Howard Da Silva, Macdonald
Carey, Cass Daley, Patric Knowles, Billy De Wolfe, Mona Freeman, William
Demarest, Cecil Kellaway, Virginia Field, Richard Webb, Frank Faylen, Cecil
B. DeMille, Mitchell Leisen, Frank Butler, George Marshall, Ann Doran. |
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In the nursery of a hospital that is
funded by Variety Clubs International, Barbara Stanwyck explains to
Joan Caulfield how the Variety Club charities were founded.
Eighteen years earlier, in 1928, in Pittsburgh, Pennsylvania, a baby
girl was left in the Sheridan movie theater with a note from her
parents calling on the generosity of those in the film business to
take care of her. An usher places the infant in the care of
members of the Variety Club, a group of eleven local showmen who
meet once a week. The men decide to sponsor the child and put
her up for adoption as Catherine Variety Sheridan.
Eighteen years later, only four people
know who Catherine is: The Browns, who are her adoptive parents,
J.R. O'Connell, who runs Hollywood's Paramount studio, and Bill
Farris, head of Paramount's New York office. Catherine, who is
now a talented singer performing under the name Amber La Vonne,
contacts Farris, and he asks O'Connell to set up a screen test for
her. A scarcity of rooms at the Hollywood Girls Club causes a
gutsy, but talentless unknown blonde actress to impersonate Amber in
order to steal her room.
When Catherine arrives, the actress
befriends her, but insists on keeping her stage name. After
"Amber" pulls off a stunt in the Brown Derby restaurant and
shamelessly calls attention to herself, Paramount talent scout Bob
Kirby arrives to pick up Catherine, but mistakenly leaves with
"Amber." "Amber" is then given Catherine's screen test.
Later, believing "Amber" is Catherine,
O'Connell invites her to a party at his home. At O'Connell's,
"Amber" pretends to be a temperamental starlet and demands that
Kirby let Catherine sing at the party. Despite the antics of
Spike Jones and his orchestra, who have been ordered by Kirby to
disrupt her performance, Catherine proves that she can sing.
Before she can ingratiate herself with O'Connell, however, Catherine
inadvertently pushes him into his pool, sending him into a rage.
Afterward, on the set of a
Cecil B. DeMille film, Catherine again soaks O'Connell. To
punish "Amber" for foisting herself and Catherine on him, O'Connell
orders
William Bendix to purposefully humiliate her during her screen
test by recreating over and over the grapefruit scene with
James Cagney and
Mae Clarke grapefruit scene in the film
The Public Enemy. "Amber" becomes so angry that she pushes
the grapefruit into Bendix's face and throws a tantrum. At
Farris's suggestion, O'Connell asks "Amber" to sing at the Variety
Club's show, and Kirby arranges it so that Catherine's voice will be
dubbed in. Because Catherine has, in the meantime, soaked
O'Connell for a third time, she arrives dressed as a cigarette girl
and hides under a table to sing. "Amber" allows Catherine to
receive her own applause, however, and O'Connell is about to have
Catherine thrown out, when Farris tells him who she is. The
Variety Club's show then ends with performances by an all-star cast,
including
Bob Hope and
Bing Crosby impersonating Siamese twins.
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