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Warner Bros. First National, 1942.
Directed by Michael Curtiz. Camera: James Wong Howe. With
James Cagney,
Joan Leslie,
Walter Huston,
Richard Whorf, Irene Manning, George Tobias, Rosemary DeCamp,
Jeanne Cagney, Frances Langford, George Barbier, S.Z. "Cuddles" Sakall,
Walter Catlett, Douglas Croft, Eddie Foy, Jr., Minor Watson, Chester Clute,
Odette Myrtil, Patsy Parsons, Jack Young, Eddie Acuff, Murray Alper, Ernest
Anderson, Vivian Austin, Leon Belasco, Brooks Benedict, Henry Blair, Walter
Brooke, Leslie Brooks, Georgia Carroll, Glen Cavender, Dick Chandlee,
Spencer Charters, Ann Doran, Frank Faylen, Creighton Hale, William Hopper. |
Actor
and songwriter George M. Cohan is impersonating President Franklin D.
Roosevelt in the musical show I'd Rather Be Right, by George S. Kaufman
and Moss Hart, when he is summoned to meet the President at the White House.
In response to the president's questions, George tells him the story of his
life.
George
was born on the Fourth of July, 1878 to Jerry and Nellie Cohan, a pair of
vaudeville actors. A short time later, his sister Josie is born and soon
the family is touring the country as "The Four Cohans." The family gets
a big break when they are hired to star in Peck's Bad Boy.
At
thirteen, George, the star of the play, is a success, but his self-importance
is responsible for losing the Cohans several bookings. Several years
later, George, now a young man, meets aspiring singer Mary when he is playing
the part of an old man and she comes backstage to ask his sage advice about
breaking into show business. The Cohans and Mary, who soon learns
George's real age, go to New York, where George tries to sell the songs he has
written.
When he
learns that The Four Cohans are losing work because of his reputation for
imperious behavior, he pretends that his play has been sold so that the others
will accept a booking without him. Later, in a bar, George overhears Sam
H. Harris talking with Schwab, a potential backer, and offers him his new
musical, Little Johnny Jones. Sam and George become partners and
produce a number of plays that feature George's popular formula of success
stories laced with patriotism.
In the
meantime, George proposes to Mary, Josie becomes engaged, and the older Cohans
buy a farm and retire. It is the end of The Four Cohans and George takes
this opportunity to write Popularity, a serious play. It fails
miserably, but news of its failure is wiped out of the papers by the sinking
of the Lusitania by the Germans in 1915.
When the
U.S. enters the war, George tries to enlist but, at thirty-nine, is too old to
be a soldier. Unable to fight, George writes the inspirational song
"Over There."
After
World War I, Cohan writes more shows. Josie and Nellie die and then
George's father Jerry dies. Feeling his age, George dissolves his
partnership with Sam so that he and Mary can take a much needed rest.
They travel to Europe and Asia, and end up on the Cohan farm. George
pretends to enjoy his life, but he hates being out of the limelight.
After a group of teenagers see George reading Variety and think that
the headline "Stix Nix Hix Pix" is a form of jive talk, George realizes how
much he still wants to be performing and gladly accepts Sam's offer to star in
I'd Rather be Right.
The
President has listened quietly to George's story and now presents him with the
Congressional Medal of Honor for his songs "Over There" and "It's a Grand Old
Flag." George is the first actor to receive this honor, and he responds
as he used to when he was with The Four Cohans, "My mother thanks you; my
father thanks you; my sister thanks you; and I thank you." When George
leaves the White House, a parade of soldiers and a band march by singing "Over
There," and George proudly joins them.
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American Film Institute
Catalog
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Interested in seeing his
life story bought to the screen, Legendary Broadway showman George M. Cohan
approached Samuel Goldwyn. The project was offered to
Fred Astaire who
declined, meanwhile Cagney's brother and buisness manager Bill was searching
for a story with real American flavor. Among the reasons to remove the taint
that was attached to Cagney's reputation, which had been scarred by his so
called radical activities in the thirties when he was a Roosevelt liberal. A
friend of Cagney's who had been in a show with Cohan convinced him that Cagney
would be perfect to portray him on film. Cohan then approached Warners
with the project retaining rights to casting approval as well as screenplay.
The studio spared no
expense in bringing the flag-waving biography of Cohan to the screen. Cagney
was in his element as George M. and delivered a finely-etched portrayal of the
man and the entertainer. He rehearsed with Johnny Boyle who had worked with
Cohan and had staged dances for him. It was from Boyle that Cagney
learned the stiff-legged technique and the run up the side proscenium arch.
The production was superb in every aspect, and the cast was flawless down to
the last member of the chorus. The film was nominated for eight academy awards
and won three, including best actor for Cagney. The Broadway opening sold
first-night tickets for war bonds. The cheapest tickets were sold for $25. The
eighty-eight best seats went for $25,000. The total take, $5,750,000, was
donated to the U.S. Treasury Department.
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Homestead.com |
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Poster artwork courtesy of Rikke |
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Click thumbnails for larger images |
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